Story by Gordon Mitchell | ||||||||||||||
Directed by Gus Trikonis | ||||||||||||||
Original Airdate - March 28, 1986 | ||||||||||||||
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"Take My Lifeā¦Please!" would be nothing without Tim Thomerson in the lead role. It would still be a superior episode, but just not as special as it is. Another actor who is dreadfully underused, he deserved to be much more successful that he is. I'm a big fan of "Trancers," the futuristic cop film he made one year before this new Twilight Zone segment, and I absolutely adored him in "Quark." Here he's a low-down scoundrel who cares about nothing but himself, and he does it well. For the ten minutes he's on stage he runs through an entire range of emotions and at the end is exhausted, which we can visibly see. The story was written by Gordon Mitchell, who did almost three dozen other TV series and a few films. But it seems he was much more famous as a jazz player who played with greats like Benny Goodman, Pete Rugolo, Buddy Rich, Dizzy Gillespie, and many others. With that kind of background, he may have known several people like Billy Diamond, and they may have inspired this story. Ray Buktenica plays his agent, who is funny and pompous. He's got some very good lines and he plays them all well. An honorable mention goes to the woman playing the drummer while Billy is on stage. Her antics add to the performance. The lighting in this segment is particularly effective. Deep shadows at the back of the club, with the patrons highlighted but not completely recognizeble, and the bright blue of the spotlight on stage, create an intimate setting for the story. When Billy and his agent are standing in what looks like the only hall in Hell, since dozens of people walk by them, they're hit by a spotlight which shows all the crags on Billy's face, making him look as old as Methusaleh. This is one of the best of the series, and shows that the new Twilight Zone was settling into its own rythym and gaining confidence. |
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